Custom design of woodwind instruments: optimization of the geometry of flutes, thanks to the modeling of the note-to-note adaptation of the musician's control – OWN-MUSIC
Custom design of woodwind instruments: optimization of the geometry of flutes, thanks to the modeling of the note-to-note adaptation of the musician's control
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Challenges and objectives
In musical instruments of the flute family (recorder and transverse flute), the different notes are played by opening/closing the lateral holes. The size and location of each hole can influence the sound characteristics of all the notes of the instrument (pitch, timbre, etc.). To play in tune and with a consistent timbre, the instrumentalist must adapt their control for each note (mouth pressure, lip configuration, etc.). If the changes between notes are too great, musicians may have difficulty playing a musical sequence. Modifying or designing a new instrument while ensuring sufficient playing comfort for the instrumentalist is therefore a challenge in itself. The objective of the OWN-MUSIC project is to give manufacturers the ability to customize this adaptation note by note, by guiding them on the geometric modifications to be made. More precisely, the first objective is to quantify the adaptation effort required between two notes and to establish models predicting this quantity from the geometry. OWN-MUSIC is based on acoustic simulations and perceptual experiments with flautists. A second objective is to develop a digital tool that can be directly used by manufacturers to provide them with decision-making support for modifying the geometry of an instrument, including optimization processes.
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During the first months of this project, OWN-MUSIC has already implemented the physical models of flute-type instruments in the Openwind software. They make it possible to predict the tuning profile of a recorder based on its geometry. These predictions can be validated using the artificial mouth that has been developed (see illustration) and which allows the instruments to sound in a controlled and repeatable manner. Perceptual studies will then make it possible to link this acoustic characteristic to the musicians' feelings. The same approach will also be extended to transverse flutes, for which the interaction between the instrumentalist and the instrument is more complex. A graphical interface, already available online (see Scientific production and valorization), makes certain features of the Openwind software accessible to a wide audience, including artisans. This interface will be extended to include the tools developed during this project, specifically related to flutes. Following this project, the approach developed will allow the study of other qualities (ease of playing, etc.) and other wind musical instruments.
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Graphical interface of Openwind software. 2023. demo-openwind.inria.fr
Hurtado, F.; De La Cuadra, P.; Torres, M.A.; Fabre, B. “Flutist Robot, an Environment to Experiment with Flute Acoustics”. Proceedings of the 10th Convention of the European Acoustics Association Forum Acusticum, 2023, Turin, Italy. 2024, 2741–2747.
In woodwind instruments (flute, clarinet, etc), the different notes are played by opening/closing side-holes. The size and location of each hole can influence the sound characteristics of all the notes of the instrument (pitch, timbre, etc.). In order to play in tune and with a homogeneous timbre, the musician must adapt his/her control for each note (mouth pressure, lip configuration, etc.). If the changes between notes are too important, the musician may have difficulty playing a musical sequence. Modifying or designing a new instrument while ensuring sufficient playing comfort for the musician is therefore a challenge in itself. The main goal of “OWN-MUSIC” project is to give manufacturers the possibility to customize this note-to-note adaptation, by guiding them on the geometrical modifications to be made. This project will focus on instruments of the flute family (recorder and flute).
More precisely, the first objective is to quantify the adaptation effort required between two notes and to establish models predicting this quantity from the geometry. This will be based on high-precision acoustic simulations and on the design of perceptual experiments with musicians and manufacturers. These models will be validated by using and refining adapted artificial mouths. Specially designed and manufactured instruments will be used to test the predictions of these models with these devices and musicians.
A second objective is to develop a digital tool that can be used directly by manufacturers to provide them with a decision aid for modifying the geometry of an instrument. It will enable geometric modifications to be proposed to correct defects in existing instruments and to design instruments with customized control. This requires the establishment of a suitable optimisation problem including the definition of cost functions and the implementation of advanced numerical techniques. An online graphical interface will be developed with the craftsmen to enable them to use these features.
Project coordination
Augustin ERNOULT (Centre Inria de l'université de Bordeaux)
The author of this summary is the project coordinator, who is responsible for the content of this summary. The ANR declines any responsibility as for its contents.
Partnership
Centre Inria de l'université de Bordeaux
Pontificia Universidad Católica de Chile
Centre Inria de l'université de Bordeaux
d'Alembert Institut Jean le rond d'Alembert
Help of the ANR 268,995 euros
Beginning and duration of the scientific project:
September 2023
- 42 Months
Useful links
- List of selected projects
- Website of the project Custom design of woodwind instruments: optimization of the geometry of flutes, thanks to the modeling of the note-to-note adaptation of the musician's control
- Permanent link to this summary on the ANR website (ANR-23-CE10-0015)
- See the publications in the HAL-ANR portal